Two starting points
A work by an established artist is a tangible asset, much like real estate, with a global pool of buyers. It trades in major currencies and can be documented and insured. If you’re taking stock of what you own abroad, art can bring something distinct to the mix.
The Ibovespa from 2010 to 2025, in two currencies
in Brazilian reais
in US dollars
The same index gained in reais and fell in dollars. Internationally traded art is priced in major currencies and has buyers around the world.
Sources: B3 and the Central Bank of Brazil (PTAX). Calculations by Oakhouse.
Bosschaert, c. 1620 · Hilma af Klint, 1907 · Hokusai, c. 1832 · Malevich, 1916Bosschaert, c. 1620 · af Klint, 1907 · Hokusai, c. 1832 · Malevich, 1916

01
Finding the work
Identify works based on quality and provenance
Assess the price against comparable sales
Consider from the outset how it will be acquired and held
Galleries and Artists
Auction Houses
Appraisers
02
Making the purchase
Discuss the structure that will hold the work
Decide who buys it, how they pay, and where it will be kept
Coordinate with sellers, appraisers, insurers, and storage providers
Lawyers
Financial Advisors
Family Office
03
Owning the work
Live with it at home or lend it to an exhibition
Use it as collateral or sell it down the line
Pass it on to the next generation
Insurers
Specialist Art Storage
Financial Institutions
Art doesn’t
have to
be
complicated.
Let’s talk about how art could fit into your plans. The first conversation is complimentary. If it makes sense to go further, we’ll explain how we work before you decide.
contato@oakhouse.com.br
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Tel. +55 11 2110-6132
Av. Paulista, 1626, São Paulo




